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Early 'Fiorenza' Lounge Chair in Pierre Frey Fabric by Franco Albini for Arflex, Italy 1950s
- Description
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The Fiorenza Lounge Chair was designed by Franco Albini in 1956 and produced by Arflex in Italy. Arflexally created in 1939 as a prototype, the chair was reintroduced with updated materials for industrial production after World War II. The design features a high sculptural backrest and curved armrests supported by a visible solid wood frame. A modern translation of a classic wingback chair.
The frame’s angled legs and arm supports taper and widen with precision, demonstrating Albini’s attention to structural clarity and proportion. The seat appears to float within the frame, held by discreet supports that emphasize the separation between the upholstered elements and the wooden base.
This design shows influences of the Scandinavian designs by Finn Juhl, the NV45 chair, which was one of the first chairs that had a 'floating' body where the chair was separated from it's base creating a more open look. However the Albini chair is a much more masculine translation compared to the Scandinavian designs of the time.
This sense of visual lightness contrasts with the solidity of the materials. The Fiorenza is considered an important example of mid-century Italian design, bridging traditional woodworking techniques with modernist ideals. This version has been re-upholstered in a warm dark brown Pierre Frey fabric, maintaining the original dimensions and construction.
Franco Albini was an Italian architect and designer active in the 20th century. He worked in both furniture and architectural design. Albini’s work incorporated traditional Italian craftsmanship and industrial production methods. He collaborated with several Italian manufacturers, including Arflex. Arflex was established in 1947 by engineers from Pirelli, a rubber company. It specialized in producing modern furniture using foam rubber and elastic tape. Albini's designs for Arflex included the Fiorenza Lounge Chair, which became a key product in the company’s early catalog. Arflex collaborated with many other Italian designers during the post-war period. The company’s work was recognized in international design exhibitions and received several awards. Albini taught at the Politecnico di Milano and contributed to design education. His work is part of permanent collections in design museums, including the Museum of Modern Art in New York. Arflex continues to produce furniture using the original designs and updated materials.
Condition: The chair has been reupholstered with a high quality Pierre Frey fabric. Images of the chair prior to restoration are available upon request. The frame was restored with respect for it's age. Showing some subtle traces of wear. Complete refinishing of the frame is possible although its current aged patina aligns with the designer’s original intent.
Fabric sample can be sent on request
We have consciously chosen to photograph all of our items in their current state to present the real original condition as completely as possible for transparency towards our clients.
In case you have any additional questions about the original condition, always feel free to reach out and ask us for additional images. We do also offer services such as restoration and re-upholstery in case this is wished for.
- Measurements
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W78.5 x D83 x H104 cm
W30.9 x D32.7 x H40.9 in
Seat Height: 40 cm / 15.7 in
Arm Height: 61 cm / 24 in
- Condition
- Pre-owned
- Color
- Brown
- Seller
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erthouse
Welcome to erthouse, a place where you can be surprised by 20th century pieces. We firmly believe in the transformative power of human connection and the profound impact that thoughtfully chosen objects can have on our lives. Our vision is to enrich our customers by offering furniture that is not only visually captivating but also infused with history and significance. These objects are not mere decorations—they are vessels of memory, culture, and emotion that resonate with those who choose them, becoming a part of their living spaces. Our collection has been put together with sensitivity where we not only offer pieces from well-known makers but also anonymous objects with a distinctive character. We both truly enjoy the thrill of discovering the perfect mid-century design pieces from around the world, often when we least expect it, those items that add a unique character to every space. Equally rewarding is our commitment to ensuring that our clients have the best possible experience, all the way through to far beyond the delivery. It’s this blend of passion for design and dedication to exceptional service that drives everything we do at erthouse. Together, Joost and Tessa bring nearly two decades of experience in the 20th century design industry, a powerful combination of expertise that shapes every challenge they take on.
- Vintage
- Scandinavian
- Modernist
- Italian Modern
