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Leaning Lotus Exo Console

$16,500
Description

The Leaning Lotus Exo Console was designed to accompany the original Lotus Exo Dining that started the series back in 2021.

The base of the table leans strikingly while supporting the bronze adorned concrete top. The Lotus patterned top is fixed by way of gravity alone, requiring no hardware. This balance combined with strength showcases a soft beauty and the engineering skill of a master concrete artisan.

Suitable indoors and outdoors in any climate


Limited to Series of 25 with COA




Measurements

L44 x W17 x H32 in

200 LBS

Condition
New
Materials
Bronze, Concrete
Seller
James de Wulf

James de Wulf is an American artist and designer whose practice unfolds at the intersection of collectible furniture, sculpture, and exhibition design. For over two decades, he has worked with concrete, stone, steel, and other materials, combining craftsmanship with a sensitivity shaped by experimentation and cross-cultural inspiration. In his hands, materials are poetically pushed beyond their assumed limits. Their properties are extended, their nature reimagined, and allowed to speak differently. And just like that, aluminum—neat, minimalist—becomes musical in a resonant ping-pong table, where each movement produces sound, and play becomes performance. Concrete, heavy and inert, is animated by organic patterns reminiscent of branches, roots, and animal exoskeletons. Stone, traditionally defined by weight and permanence, is reinterpreted as pliable, capable of conveying the fleeting, delicate lightness of flowers. Across his work, monolithic sculptures and brutalist geometries seem suspended in time, hovering between echoes of ancient civilisations and Sci-Fi imagination. “It all began with a visit to a concrete factory, and later the discovery of the work of Italian architect Angelo Mangiarotti,” de Wulf reflects. “Watching concrete move from liquid matter to architectural presence unlocked my fascination with design.” Transition lies at the core of his creative language. “My work always starts with materials. In some ways, I feel part alchemist, part maker,” he says. Quoting French chemist Antoine de Lavoisier—Nothing is created, everything transforms—de Wulf frames his work as an exploration of flux. “Matter and essence are in constant motion. With my pieces, I seek to capture the quiet poetry of transformation: the subtle shifts occurring between atoms, and those extending far beyond them.” Aluminum steel becomes sound, concrete appears alive, minerality turns ephemeral. James de Wulf has presented his collectible designs at leading international platforms including Design Miami, Salon New York, and Paris Art Week. His practice reflects the curiosity of an explorer. Having lived in Los Angeles, Berlin, Copenhagen, Malmö, and Koh Samui, he is now based in Maui, Hawaii, while continuing to travel in search of new perspectives. “Every new project,” he says, “is an exciting journey.”

  • Minimalist
  • Contemporary
  • Organic