• Fulfilled by seller
  • Custom Quote
  • Members only

Lotus Exo Dining Table, 60”

$39,500
Description

The EXO series is an exercise in reinforcing concrete from the outside using non-corrosive metals in a design following growth patterns of exoskeletons found in nature.

"The design is based on the skeletons of Radiolaria which are microscopic organisms found on the ocean floor. The outer edge of the table meanders in an organic way rather than staying in a rigid circle. The leg does as well. In this way we keep the piece human, approachable and fun; rather than adhering to the rigidity of a circle." - James de Wulf.

  

At 60" diameter, the table weighs 400 lbs. Using sand casted bronze and high performance concrete, this piece is suitable indoors or outdoors in any climate.

Standard diameters 48" / 60" / 72" / 84" available. Please note the photos are of the 48" table but the pricing listed is for the 60" version. Inquire for custom sizing.  


Limited to series of 25 with COA. There are only a few left in this design. 

Measurements

D60 x H29.5 in

400 LBS

Condition
New
Material
Concrete, Bronze
Seller
James de Wulf

James de Wulf is an American artist and designer whose practice unfolds at the intersection of collectible furniture, sculpture, and exhibition design. For over two decades, he has worked with concrete, stone, steel, and other materials, combining craftsmanship with a sensitivity shaped by experimentation and cross-cultural inspiration. In his hands, materials are poetically pushed beyond their assumed limits. Their properties are extended, their nature reimagined, and allowed to speak differently. And just like that, aluminum—neat, minimalist—becomes musical in a resonant ping-pong table, where each movement produces sound, and play becomes performance. Concrete, heavy and inert, is animated by organic patterns reminiscent of branches, roots, and animal exoskeletons. Stone, traditionally defined by weight and permanence, is reinterpreted as pliable, capable of conveying the fleeting, delicate lightness of flowers. Across his work, monolithic sculptures and brutalist geometries seem suspended in time, hovering between echoes of ancient civilisations and Sci-Fi imagination. “It all began with a visit to a concrete factory, and later the discovery of the work of Italian architect Angelo Mangiarotti,” de Wulf reflects. “Watching concrete move from liquid matter to architectural presence unlocked my fascination with design.” Transition lies at the core of his creative language. “My work always starts with materials. In some ways, I feel part alchemist, part maker,” he says. Quoting French chemist Antoine de Lavoisier—Nothing is created, everything transforms—de Wulf frames his work as an exploration of flux. “Matter and essence are in constant motion. With my pieces, I seek to capture the quiet poetry of transformation: the subtle shifts occurring between atoms, and those extending far beyond them.” Aluminum steel becomes sound, concrete appears alive, minerality turns ephemeral. James de Wulf has presented his collectible designs at leading international platforms including Design Miami, Salon New York, and Paris Art Week. His practice reflects the curiosity of an explorer. Having lived in Los Angeles, Berlin, Copenhagen, Malmö, and Koh Samui, he is now based in Maui, Hawaii, while continuing to travel in search of new perspectives. “Every new project,” he says, “is an exciting journey.”

  • Minimalist
  • Contemporary
  • Organic