• Fulfilled by seller
  • Custom Quote
  • Members only

Blueberry Table

$19,600
Description

The Blueberry Table is a fun, welcoming, table which hides the intricacies of the technology involved. In this design, James has returned to making a table with only concrete. Developing the signature gravity joint further, portions of the joint have been removed to showcase the beauty in the construction. The intricate five-point gravity joint is extremely difficult to manufacture, and is demonstrative of the level of skill required to complete such a feat. For years, James has strived to go thinner with each piece, to push the boundaries of what is achievable with concrete. Taking a different approach with the Blueberry Table, the idea was to create a soft, pillowy, buttery smooth piece of concrete furniture. All the edges are rounded to give an overall appearance of softness. Each of the "petals" are organic, hand drawn, mimicking the pattern of a flower or center of a blueberry. Limited to series of 25 with Certificate of Authenticity.  Custom color and sizing available.


Limited to series of 25 with COA.


Measurements

L55 x W55 x H30

800 LBS

Condition
New
Materials
Concrete
Seller
James de Wulf

James de Wulf is an American artist and designer whose practice unfolds at the intersection of collectible furniture, sculpture, and exhibition design. For over two decades, he has worked with concrete, stone, steel, and other materials, combining craftsmanship with a sensitivity shaped by experimentation and cross-cultural inspiration. In his hands, materials are poetically pushed beyond their assumed limits. Their properties are extended, their nature reimagined, and allowed to speak differently. And just like that, aluminum—neat, minimalist—becomes musical in a resonant ping-pong table, where each movement produces sound, and play becomes performance. Concrete, heavy and inert, is animated by organic patterns reminiscent of branches, roots, and animal exoskeletons. Stone, traditionally defined by weight and permanence, is reinterpreted as pliable, capable of conveying the fleeting, delicate lightness of flowers. Across his work, monolithic sculptures and brutalist geometries seem suspended in time, hovering between echoes of ancient civilisations and Sci-Fi imagination. “It all began with a visit to a concrete factory, and later the discovery of the work of Italian architect Angelo Mangiarotti,” de Wulf reflects. “Watching concrete move from liquid matter to architectural presence unlocked my fascination with design.” Transition lies at the core of his creative language. “My work always starts with materials. In some ways, I feel part alchemist, part maker,” he says. Quoting French chemist Antoine de Lavoisier—Nothing is created, everything transforms—de Wulf frames his work as an exploration of flux. “Matter and essence are in constant motion. With my pieces, I seek to capture the quiet poetry of transformation: the subtle shifts occurring between atoms, and those extending far beyond them.” Aluminum steel becomes sound, concrete appears alive, minerality turns ephemeral. James de Wulf has presented his collectible designs at leading international platforms including Design Miami, Salon New York, and Paris Art Week. His practice reflects the curiosity of an explorer. Having lived in Los Angeles, Berlin, Copenhagen, Malmö, and Koh Samui, he is now based in Maui, Hawaii, while continuing to travel in search of new perspectives. “Every new project,” he says, “is an exciting journey.”

  • Minimalist
  • Contemporary
  • Organic