- Preorder item
- Fulfilled by seller
- Custom Quote
- Members only
The item will ship as soon as it is available
- Description
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The James de Wulf classic Split Locking Dining Table (2014) was part ode to Angelo Mangiarotti and part exercise in pushing the limits of our mix and process. By removing a section of the top, he is breaking the powerful strength of the circle. The top "locks" to the base with a gravity joint.
Equal in art and utility, as a collector's piece and as a functional dining table. The table's style and concrete construction will withstand the test of time, maintaining its presence as a modern heirloom.
Suitable for indoor and outdoor use in any climate.
Colors available in Natural Tone, Light Grey, Dark Grey, Black
Sizes available in 48 (as shown), 60, and 72 inch diameter; price varies accordingly.
James de Wulf has been widely recognized for his original and innovative work with concrete design and rapidly became known for his ability to fuse advanced concrete technology with aesthetic, modern, and natural concrete forms to constitute functional art.
6-8 week fabrication
- Measurements
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D48 x H30 in
300 LBS
- Condition
- New
- Material
- Concrete
- Seller
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James de Wulf
James de Wulf is an American artist and designer whose practice unfolds at the intersection of collectible furniture, sculpture, and exhibition design. For over two decades, he has worked with concrete, stone, steel, and other materials, combining craftsmanship with a sensitivity shaped by experimentation and cross-cultural inspiration. In his hands, materials are poetically pushed beyond their assumed limits. Their properties are extended, their nature reimagined, and allowed to speak differently. And just like that, aluminum—neat, minimalist—becomes musical in a resonant ping-pong table, where each movement produces sound, and play becomes performance. Concrete, heavy and inert, is animated by organic patterns reminiscent of branches, roots, and animal exoskeletons. Stone, traditionally defined by weight and permanence, is reinterpreted as pliable, capable of conveying the fleeting, delicate lightness of flowers. Across his work, monolithic sculptures and brutalist geometries seem suspended in time, hovering between echoes of ancient civilisations and Sci-Fi imagination. “It all began with a visit to a concrete factory, and later the discovery of the work of Italian architect Angelo Mangiarotti,” de Wulf reflects. “Watching concrete move from liquid matter to architectural presence unlocked my fascination with design.” Transition lies at the core of his creative language. “My work always starts with materials. In some ways, I feel part alchemist, part maker,” he says. Quoting French chemist Antoine de Lavoisier—Nothing is created, everything transforms—de Wulf frames his work as an exploration of flux. “Matter and essence are in constant motion. With my pieces, I seek to capture the quiet poetry of transformation: the subtle shifts occurring between atoms, and those extending far beyond them.” Aluminum steel becomes sound, concrete appears alive, minerality turns ephemeral. James de Wulf has presented his collectible designs at leading international platforms including Design Miami, Salon New York, and Paris Art Week. His practice reflects the curiosity of an explorer. Having lived in Los Angeles, Berlin, Copenhagen, Malmö, and Koh Samui, he is now based in Maui, Hawaii, while continuing to travel in search of new perspectives. “Every new project,” he says, “is an exciting journey.”
- Minimalist
- Contemporary
- Organic