Ruyi Cloud Ring

£16,000

Description: Ruyi — the cloud motif. Swirling, cumulative, never fully resolved. Seen drifting across the surfaces of Chinese and Japanese woodblock prints, the cloud is not weather but atmosphere — a form that describes feeling more than fact. The ring traces this directly in 14K yellow gold, the band built from scrolling cloud forms that gather around a 4.35 carat radiant-cut Sri Lankan sapphire. The stone sits within the motif as the sky sits within cloud — contained, deepened, made more itself by what surrounds it. Natural Sri Lankan sapphire at this weight carries its own gravity. The radiant cut opens the colour from the inside, saturating it outward. To wear it is to carry something that has always described the ineffable. The cloud does not land. It simply holds. Custom to size of customer.

Lead time of 3-4 weeks.
Measurements: 3 x 1 x 0.3 cm
Condition: New
Womens: US OS
Color: Gold
Pick up: Old Selfridges Hotel
Seller: Eliz Fan
Eliz Fan explores the relationship between imagery, memory, and personal identity through jewellery — objects that accompany the body through time, holding emotional meaning and cultural memory in form and material. Of Taiwanese heritage, born and raised in Hong Kong, now based in London, Fan brings a lived experience of cultural intersection to her practice. Her Masters in Jewellery & Metal at the Royal College of Art refined a technical language precise enough to hold the weight of that history — work that is quiet in its execution, exacting in its intention. Central to this practice are philosophies rooted in East Asian thought: wabi-sabi, the appreciation of imperfection and transience, and ichigo ichie, the awareness that every moment is singular and unrepeatable. These ideas shape an approach to making that values the quiet, the incomplete, and the overlooked — worn surfaces, natural structures, the softness of things that resist resolution. Themes of calmness, solitude, vulnerability, and reflection run through the work. Each piece emerges from an attentiveness to small, raw beauties: the kind that exist beneath everyday life rather than above it. The practice also holds the meeting of East and West — where traditional Chinese and Japanese ornamental languages are drawn through personal perspective and lived experience. Historical patterns and dreamlike imagery are not reproduced but inhabited, allowed to exist in a contemporary and intimate context.