Oxidized Wagara Necklace

£3,600

Description: Wagara — Japanese patterns of good fortune. Not a single motif but a family of them, each carrying its own meaning, its own visual history. The necklace collects them into one continuous chain — floral forms, radiating starbursts, scrolling leaves — distributed across the length like a sentence written in symbols rather than words. Each element is distinct. The oxidized silver darkens the relief of every motif, pressing the pattern into itself the way ink presses into paper — the image emerging from depth rather than surface. The chain between them is not neutral. It is the pause between one meaning and the next.

Lead time of 3-4 weeks.
Measurements: 50 x 1 x 0.3 cm
Condition: New
Womens: US OS
Color: Silver
Pick up: Old Selfridges Hotel
Seller: Eliz Fan
Eliz Fan explores the relationship between imagery, memory, and personal identity through jewellery — objects that accompany the body through time, holding emotional meaning and cultural memory in form and material. Of Taiwanese heritage, born and raised in Hong Kong, now based in London, Fan brings a lived experience of cultural intersection to her practice. Her Masters in Jewellery & Metal at the Royal College of Art refined a technical language precise enough to hold the weight of that history — work that is quiet in its execution, exacting in its intention. Central to this practice are philosophies rooted in East Asian thought: wabi-sabi, the appreciation of imperfection and transience, and ichigo ichie, the awareness that every moment is singular and unrepeatable. These ideas shape an approach to making that values the quiet, the incomplete, and the overlooked — worn surfaces, natural structures, the softness of things that resist resolution. Themes of calmness, solitude, vulnerability, and reflection run through the work. Each piece emerges from an attentiveness to small, raw beauties: the kind that exist beneath everyday life rather than above it. The practice also holds the meeting of East and West — where traditional Chinese and Japanese ornamental languages are drawn through personal perspective and lived experience. Historical patterns and dreamlike imagery are not reproduced but inhabited, allowed to exist in a contemporary and intimate context.